Auditions

Magical Starlight Theatre invites you to be part of something new and exciting on the community theatre stage!

AUDITIONS- September 27-28, 2025

Call backs- September 30

Signup at for auditions on SignupGenius

Audition forms (also available on the SignUpGenius) can be emailed to auditions@magicalstarlight.org

Magical Starlight Theatre continues it’s tradition of family oriented theater in it’s selection of this amazing Dreamwork’s production.  This production will include all the memorable music, dance and scene work, with the same quality talent and performance that Napervillians have come to expect from our organization for decades.

Magical Starlight Theatre will hold auditions for actors on Saturday, September 27th and Sunday, September 28th (with call backs September 30th) at the Alfred Rubin Riverwalk Community Center, located at 305 W. Jackson Avenue at the northwest corner of Eagle Street and Jackson Avenue in Naperville (enter from upper level). Lead and supporting roles are available for all ages, and a strong ensemble cast comprised of actors of all ages also will be needed. Auditions for all ages (4th grade/9 years old and above) are from 1:00-7:00 p.m. on September 27th and 1:00-5:00pm on September 28th. If you are checked in at 7:00pm on Saturday or 5:00pm on Sunday, you will be able to audition. Youth must be in fourth grade or higher. ***If needed, call backs will be held on Tuesday, September 30th at 6 p.m.***

Youth and adults are asked to perform one monologue reading for their audition for their main desired character (see character descriptions). Practice with strong diction, facial expressions, and volume. Additionally, youth and adults will be required to sing the provided song, also for their main desired character (practice playback music available below). Immediately following will be a general movement audition and dance audition, so please come prepared to move after your vocal and script readings. (No need to sign up for a second time slot.) Everyone auditioning only needs to attend one of either two audition days, and time slot reservations are not required. Walk-up auditionees will be placed in the next available slot as they arrive. Once your group has completed the music, reading, and choreography auditions, you are excused.

ALL PERFORMANCES AND TECH WEEK REHEARSALS ARE MANDATORY

Eight performances will be presented January 9-11 and 16-18, 2026. at Naperville Central High School Auditorium. Tech week (mandatory) runs Sunday-Thursday: Sunday 1:00-7:30 p.m.; Monday-Thursday 6:00-10:00 p.m. Performance times: Friday at 7:30 p.m.; Saturdays at 1:30 p.m. and 6:30 p.m.; Sundays at 1:30 p.m. (all mandatory). Rehearsals are generally scheduled for Sunday afternoons and Tuesday/Thursday evenings. Once cast, a specific rehearsal calendar will be distributed. Please bring all conflicts for rehearsals, tech week, and performances to auditions.

Cast members may be responsible for providing a costume or basic costume components for the production.

Tentative Rehearsal Dates (subject to change)
Please bring conflicts for all highlighted dates.

Possible rehearsal
Other Activities
Tech week rehearsal- All days required
Performance- All days required
October 2025
Sun Mon Tue Wed Thu Fri Sat
1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31  
November 2025
Sun Mon Tue Wed Thu Fri Sat
            1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 281 29
30
December 2025
Sun Mon Tue Wed Thu Fri Sat
1 2 3 4 5 62
7 8 9 10 11 12 13
14 15 16 17 18 193 20
21 22 23 24 25 26 27
28 29 30 31      
January 2026
Sun Mon Tue Wed Thu Fri Sat
      1 2 34
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31
Possible rehearsal
Other Activities
Tech week rehearsal- All days required
Performance- All days required

Notes:

1. Nov 28- Naperville Lights Parade
2. Dec 6- Flyer Flood (subject to change)
3. Dec 19- Sitzprobe
4. Jan3- Mic/Tech prep

Youth must be in fourth grade (9 years old) or higher.
Some roles might have stage appearance age lower than this requirement, but we can’t accept any youth who’s actual grade is under fourth grade.

Audition Checklist

Before your audition

At auditions

Shrek the Musical — Audition Character Breakdown

Audition Guidance

We’re seeking bold, expressive performers who can bring these fairy tale figures to life with heart, humor, and theatrical flair—create a character voice and own it. This production is loaded with character voices (accents, dialects, etc.).

THINK OUT OF THE BOX! Try anything… that’s the key!

Voice Inspiration Examples

  • Pee Wee Herman
  • Miss Piggy – Dramatic diva energy; breathy, yet aggressive.
  • Gilbert Gotfreid – Loud, nasal, squawky.
  • Christopher Walken – Pauses in strange places, off-kilter rhythm.
  • Robin Williams – Rapid-fire impressions; manic energy (think Aladdin).
  • Julia Child – Fancy, British, breathy; old-school TV host.
  • Kermit the Frog – Soft, slightly nasally, honest.
  • WAY over the top
  • Robotic cheerfulness (Duloc): animatronic theme-park vibes; think Barney, Teletubbies, Pee-wee’s Playhouse.

Dance/Choreography Videos

Audition Resources – What Each File Is

  • Lead Sheet (PDF): Vocal line PDF of the part—great for printing and independent rehearsal.
  • Audition Cut: The exact cut used in vocal auditions; sing in character with pitch accuracy. Tracks include the first words to help your entrance.
  • ACC Track: Instrumental accompaniment to practice timing and entrances with confidence.
  • Demo: Reference performance for style and timing by professional vocalists.
  • Split Track: Left/right channels let you adjust balance for independent prep if your setup supports it.
  • Vocal Only: Focus strictly on vocal lines and characterizations without instruments.

General Music Documents

Scales

Principal & Featured Roles

SHREK

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Baritone/Tenor A2–G#4

Description

A big-hearted ogre who prefers solitude in his swamp—grumpy on the outside, but kind and vulnerable underneath. Remember: ogres are like onions—they have layers. Think classic ogre meets cartoon.

Personality

Gruff, dry-witted, guarded but lovable. Reluctant hero with deep emotional layers. Grounded yet capable of tenderness and vulnerability; animated and exaggerated with storytelling clarity.

Audition Song & Cut

Song: Big Bright Beautiful World
Cut: INTRO: m. 154–161 | m. 162–end (~1:38)

Reading

Donkey look! Lord Farquaad’s castle. It’s a bit much isn’t it? Do you think he might be compensating for something? (no reaction from Donkey) Ah, forget it. For your information, Donkey, there’s a lot more to ogres than people think. We are like onions. You know…Layers. Onions have layers. Ogres have layers. Onions have layers…you get it? We both have layers! (no reaction from Donkey) Oh for the love of Pete! You know, this may be the longest day of my entire life.

Vocal Range: Strong baritone/tenor (A2–G#4).

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

PRINCESS FIONA (Adult)

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Mezzo-soprano (strong belt) F3–G5

Description

A princess with a secret—she transforms into an ogress at night. She’s been waiting for her “true love” to rescue her, but isn’t your typical fairy-tale princess. Requires vocal agility and sharp comedic timing. Over-the-top royal looks with ogre twists.

Personality

Feisty, quirky, expressive, and fiercely independent with a romantic streak. Playful and energetic, switching between royal poise and full-body comedic goofiness.

Audition Song & Cut

Song: I Know It’s Today — Adult segment
Cut: INTRO: m. 85–89 | m. 90–140 (~1:40)

Reading

Sir Knight! I have long awaited this day. Sir Shrek… I pray that you take this favor as a token of my gratitude. Sir Knight, don’t you want to savor this moment? It be-eth our first meeting. It must be a wonderful and romantic scene. (overjoyed and victorious) You did it! You-did-it-you-did-it-you-did-it. You’re amazing, you’re wonderful, you’re… a little unorthodox, I’ll admit but – Thy deed is great and thine heart is pure. I’m eternally in your debt. And where would a brave knight be without his noble steed? So now you may remove your helmet. (a bit more forceful) Just take off the helmet. (MORE) Take it off!! NOW!!! (shocked) You’re….an ogre?

Vocal Range: Mezzo-soprano with strong belt (F3–G5).

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

YOUNG FIONA

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Soprano A3–C5 Presents 7–8

Description

Spirited little girl with a big imagination and bigger heart. Trapped in a tower from a young age, she finds comfort in fairy tales and clings to the belief a prince will rescue her. Sweet and animated with clarity and wonder—think classic storybook princess tone.

Personality

Hopeful, bright, and charming with Disney-princess confidence that’s both innocent and amusing. Sets up Fiona’s long, patient wait and unwavering optimism. Requires strong vocal ability and stage presence.

Audition Song & Cut

Song: I Know It’s Today — Young segment
Cut: INTRO: m. 1 | m. 1–44 (~1:32)

Reading (Fairy Tale Creatures excerpt)

This place is a dump! It’s not fit for a pig. It smells like bum. We read Farquaad’s decree. “All fairytale creatures have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” The guy’s bad news! (notices Shrek) He’ll listen to you, though! You’re big and scary. Look here, Ogre, I’m gonna spell it out for ya. We don’t want us here any more than you do. But you’re the only one tough enough to stand up to that no-good flim-flamer Farquaad!

Vocal Range: Soprano with clear, childlike tone (A3–C5).

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

TEEN FIONA

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Mezzo/Soprano A3–Eb5 Presents 13–15

Description

A few years older and more aware of reality. Still believes in a fairy-tale ending, but the enthusiasm shows cracks. More mature, expressive, with emerging diva energy and growing sarcasm.

Personality

Sassy, slightly impatient, and increasingly skeptical—but covers it with humor and melodramatic flair. Her number is a playful lament; needs strong comedic timing and vocal control.

Audition Song & Cut

Song: I Know It’s Today — Teen segment
Cut: INTRO: m. 48 | m. 49–90 (~1:31)

Reading (Fairy Tale Creatures excerpt)

This place is a dump! It’s not fit for a pig. It smells like bum. We read Farquaad’s decree. “All fairytale creatures have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” The guy’s bad news! (notices Shrek) He’ll listen to you, though! You’re big and scary. Look here, Ogre, I’m gonna spell it out for ya. We don’t want us here any more than you do. But you’re the only one tough enough to stand up to that no-good flim-flamer Farquaad!

Vocal Range: Mezzo/Soprano (A3–Eb5).

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

DONKEY

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High Baritone/Tenor C3–B4 Pop/Soul

Description

Shrek’s fast-talking, loyal sidekick who provides nonstop commentary and comic relief—with heart and surprising wisdom. Constant motion: bouncy, animated, big facial expressions, flailing limbs. Voice is expressive, rhythm-driven, always engaged. Think Eddie Murphy meets Robin Williams (SNL variety).

Personality

Energetic, hyperverbal, endearing, emotionally open; craves connection. Strong comedic delivery and rhythmic sensibility. Cartoon-inspired but with real heart. Channel genuine emotion beneath the jokes.

Audition Song & Cut

Song: Don’t Let Me Go
Cut: INTRO: m. 41–46 | m. 47–end; m. 78–end timing is crucial (~1:28)

Reading

I know Duloc. You gotta let me show you the way because I am like a GPS with fur. Man this place is goin’ Stepford! We gotta join forces, otherwise they’re gonna lock me up, and I can NOT go back in a cage! Did I mention I did six years in solitary for impersonating a pinata? (looking Shrek up and down) You know what I like about you Shrek? You got that whole, “I don’t care what anybody thinks of me” thing. I like that, I respect that, Shrek. You all right!

Vocal Range & Style: High baritone/tenor; soulful, pop-infused (often belts and riffs). C3–B4.

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

LORD FARQUAAD

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High Baritone B2–D5 Comic Villain

Description

The hilariously villainous, height-challenged ruler of Duloc who wants to become king. Think pompous toy soldier meets tyrannical royal dollhouse figure. (Performs on knees—requires big upper-body gestures and exaggerated posture.)

Personality

Arrogant, dramatic, petty, a bully, and comically self-absorbed. Needs strong comedic timing and flair.

Audition Song & Cut

Song: What’s Up Duloc (Reprise)
Cut: INTRO: m. 1–2 | m. 3–end (~0:35)

Reading

And now, good people of Duloc, the moment you’ve all been waiting for! The raffle drawing to determine who will have the honor of setting forth to rescue the lovely Princess Fiona from the fiery keep of the dragon. Am I Farquaad? Does the name strike fear in your heart? News flash, Ogre, that oozing mud pit is actually within the province of Duloc, and therefore, under my jurisdiction. OOOHHHH. What a minute. Wait …a … .minute. You’re big and hulking and wonderfully expendable. People of Duloc! We have a winner!

Vocal Range & Style: High baritone (B2–D5).

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

DRAGON

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Alto F3–Eb5 Gospel Belt

Description

A powerful, sultry dragon guarding Fiona’s tower—eventually falls for Donkey. Commands a strong stage presence.

Personality

Fierce, sassy, soulful. A diva with teeth. Can be sleek and stylized or bold and puppet-based—let the voice shine.

Audition Song & Cut

Song: Forever
Cut: INTRO: m. 4–5 | m. 5–28 (~0:42)

Reading (Fairy Tale Creatures excerpt)

This place is a dump! It’s not fit for a pig. It smells like bum. We read Farquaad’s decree. “All fairytale creatures have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” The guy’s bad news! (notices Shrek) He’ll listen to you, though! You’re big and scary. Look here, Ogre, I’m gonna spell it out for ya. We don’t want us here any more than you do. But you’re the only one tough enough to stand up to that no-good flim-flamer Farquaad!

Vocal Range & Style: Alto with a big gospel-style belt (F3–Eb5).

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

PINOCCHIO

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Tenor + Falsetto E3–F#4 (falsetto A4–B4)

Description

High-pitched, nasal, and full of whiny urgency. Cartoonish but clear for singing and comedy. Exaggerate youthfulness—the tone of a puppet who desperately wants to be a boy. Highly expressive and exaggerated. Embrace cartoonish movement: jerky elbows, floppy feet. Be the most dramatic piece of lumber on stage—lean into visual comedy.

Personality

Awkward, puppetry-like movements; not used to his limbs. Emotional, overreacts, easily panics, prone to dramatic meltdowns. Mix classic Pinocchio with Gilbert Gotfreid’s nasal tone and Alvin-level energy. Absolutely certain he’s the star.

Audition Song & Cut

Song: Story of My Life
Cut: INTRO: m. 13–14 | m. 15–30 (~0:39)

Reading (Fairy Tale Creatures excerpt)

This place is a dump! It’s not fit for a pig. It smells like bum. We read Farquaad’s decree. “All fairytale creatures have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” The guy’s bad news! (notices Shrek) He’ll listen to you, though! You’re big and scary. Look here, Ogre, I’m gonna spell it out for ya. We don’t want us here any more than you do. But you’re the only one tough enough to stand up to that no-good flim-flamer Farquaad!

Vocal Range & Style: Tenor with gut-based falsetto—go weird, not just high. Aim for a high, nasal, animated tone that’s always too excited or too panicked (E3–F#4; falsetto up to A4 or B4).

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

GINGY

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Soprano (belt) G3–C5

Description

A sassy, tiny cookie with a big voice and bigger attitude. Fast-talking cartoon sidekick—nasal, squeaky, and delightfully unhinged. Comedy is key.

Personality

Snarky and bold with comic bite. Weird and larger-than-life—100% cookie chaos. Exaggerated with emotions dialed way up. Don’t be afraid to wail, squeal, or crack (think the torture scene).

Audition Song & Cut

Song: Freak Flag
Cut: m. 1–19 (~0:46)

Reading (Fairy Tale Creatures excerpt)

This place is a dump! It’s not fit for a pig. It smells like bum. We read Farquaad’s decree. “All fairytale creatures have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” The guy’s bad news! (notices Shrek) He’ll listen to you, though! You’re big and scary. Look here, Ogre, I’m gonna spell it out for ya. We don’t want us here any more than you do. But you’re the only one tough enough to stand up to that no-good flim-flamer Farquaad!

Vocal Range & Style: Soprano with a belt (G3—the G below middle C—to C5, one octave above middle C).

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

SUGAR PLUM FAIRY

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Soprano (B3–C#5) Alt: Alto • High Belt Character Belt Russian Accent

Description

One of the misfit Fairy Tale Creatures. Bright, sparkly, and comedic with crisp diction and confident top-line ensemble singing. Pops with clear character choices and playful timing.

Personality

Effervescent, precise, cheeky. Brings “storybook magic” while still an underdog. Lean into expressive facial work and quick, clean musicality.

Audition Song & Cut

Song: Story of My Life (Ensemble — Soprano line)
Cut: INTRO: m. 80A, 85 | m. 86–end (~0:40)

Reading (Fairy Tale Creatures excerpt)

This place is a dump! It’s not fit for a pig. It smells like bum. We read Farquaad’s decree. “All fairytale creatures have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” The guy’s bad news! (notices Shrek) He’ll listen to you, though! You’re big and scary. Look here, Ogre, I’m gonna spell it out for ya. We don’t want us here any more than you do. But you’re the only one tough enough to stand up to that no-good flim-flamer Farquaad!

Vocal Range & Style

Range: Soprano (B3–C#5). Some productions list the role as alto with a high belt, depending on the arrangement.
Style: Character-driven and powerful. Belt with a heavy Russian accent, especially in the “Freak Flag” solo verse. Can shift into a surprisingly deep, strong tone for comic contrast with the graceful ballet persona.

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

MAMA & PAPA OGRE

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Alto (A3–C5) Baritone (C3–E4) Belting • Comedy

Description

Shrek’s mum and dad—ogres. Strong expressive singers with comedy chops. Appear in the opening number, sending Shrek off at age 7; short but memorable feature with character-driven vocals.

Personality

High-energy, tongue-in-cheek “tough love.” Confident, bold delivery with clear diction; lean into broad, cartoon-style characterization while staying musical.

Audition Song & Cut

Song: Big Bright Beautiful World
Cut: INTRO: m. 3–4 | m. 5–83 (~1:51)

Reading (Fairy Tale Creatures excerpt)

This place is a dump! It’s not fit for a pig. It smells like bum. We read Farquaad’s decree. “All fairytale creatures have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” The guy’s bad news! (notices Shrek) He’ll listen to you, though! You’re big and scary. Look here, Ogre, I’m gonna spell it out for ya. We don’t want us here any more than you do. But you’re the only one tough enough to stand up to that no-good flim-flamer Farquaad!

Vocal Range & Style: Mama Ogre: Alto (A3–C5). Papa Ogre: Baritone (C3–E4). Confident belt; rhythmic clarity and character warmth.

Resources

MAMA & PAPA OGRE-Since we won’t know in advance if both characters will be represented in your audition group, please prepare both the solo and duet versions.
SOLO VERSION- Sing m. 3-17 as a solo including both parts from either the Mama or Papa version.
DUET VERSION- Sing m. 3-30 as a duet.

Lead Sheet Lead Sheet- MAMA SOLO VERSION Lead Sheet- PAPA SOLO VERSION Audition Cut ACC Demo Split Vocal

FAIRY TALE CREATURES

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Ensemble (SATB) Featured Solos

Description

A band of misfit fairy-tale characters exiled by Farquaad. Includes:

Big Bad Wolf Elf Baby Bear Snow White Three Pigs Momma Bear Puss in Boots Peter Pan White Rabbit Poppa Bear Wicked Witch Christmas Elf Tinker Bell Cinderella Ugly Duckling Little Mermaid Cheshire Cat Aladdin Goldilocks Tweedle Dee Fairy Godmother Sugar Plum Fairy Tweedle Dum Humpty Dumpty Alice in Wonderland Red Riding Hood Mad Hatter

Personality

Each with unique quirks—funny, dramatic, heartfelt underdogs.

Vocal Notes

Soprano parts: Witch
Deep bass: Big Bad Wolf
Belty parts: Peter Pan
3 Pigs: Tenor/Baritone/Bass (C3–F4)
Ensemble: Full SATB, with featured solos.

Audition Song & Cut

Song: Story of My Life (Ensemble)
Cut: INTRO: m. 80A, 85 | m. 86–end (~0:40)

Reading

This place is a dump! It’s not fit for a pig. It smells like bum. We read Farquaad’s decree. “All fairytale creatures have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” The guy’s bad news! (notices Shrek) He’ll listen to you, though! You’re big and scary. Look here, Ogre, I’m gonna spell it out for ya. We don’t want us here any more than you do. But you’re the only one tough enough to stand up to that no-good flim-flamer Farquaad!

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

ENSEMBLE ROLES

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Strong Ensemble Vocals Multiple Characters

Description

Includes: Young Shrek, King Harold (British) & Queen Lillian (British), Knights/Dragonettes/Skeletons, Duloc Dancers, Bishop, Pied Piper, Guards, Rats, 3 Blind Mice, Captain, Thelonius, Bluebird, puppeteers for moon/cow jumps over, dish and spoon chased by police car, bunny, Lion King characters, wedding choir.

Personality

Big character energy. Each performer should embody multiple vibrant personalities. Emphasize contrast and fun; embrace transformation and visual gags. Snappy, animated movement echoing fairy-tale characters.

Vocal Range & Style

Strong ensemble vocals with moments for individuals to shine.

Audition Song & Cut

Fairy Tale Creatures: Story of My Life — INTRO: m. 80A, 85 | m. 86–end (~0:40)
Duloc Performers: What’s Up Duloc — INTRO: m. A–B | m. C–16 (~0:32)

Reading (Duloc People — spoken)

Welcome to Duloc! Such a perfect town. Here we have some rules, let us lay them down. Don’t make waves, stay in line, and we’ll get along fine. Duloc is a perfect place! Please keep off of the grass. Shine your shoes, wipe your… face. Duloc is, Duloc is, Duloc is a perfect place! And here’s the man who made it happen! That towering colossus of moxie! Looooooooooooooord Farquaad!

Resources

Lead Sheet Audition Cut ACC Demo Split Vocal

PUPPETEER OPPORTUNITIES

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Specialty Movement

If you have any puppeteer experience, we have opportunities in these roles:

Parts of Dragon Cow to jump over the Moon Dish to run away with the Spoon Bunny Lion King Characters

Audition Song & Cut

Primarily movement/puppetry—no vocal cut required unless you’re also auditioning for a singing role.

Planned on attending auditions on the first weekend of October but Magical Starlight Theatre decided to change the auditions weekend? Email: info@MagicalStarlight.org for specific instructions.

If you have additional questions not answered below, email: info@MagicalStarlight.org.

Frequently Ask Questions

Do I need to come on both days of auditions?
No. You only need to come on either Saturday or Sunday, not both days.
Do I need to schedule an audition time?
Magical Starlight Theatre will be doing schedule auditions for 2025.  Walk-ups are still allowed and will be placed in the next available time slot.
Where do I go to audition?
Auditions are held on the upper level of the Alfred Rubin Riverwalk Community Center located at 305 Jackson Ave, Naperville, IL 60540. Upon arriving, proceed to registration located in the “Community Hall” room (also on the upper level) – signs will be posted to help guide you.
How old do I have to be to audition?
Magical Starlight Theatre casts youth and adults of all ages; however, youth auditionees are required to be enrolled in 4th grade or above at the time of the audition.
How long will this audition take?
Auditions will take about 80 minutes – we strive to allow each and every auditionee an equal opportunity to audition their best. For walk-ups, there could be a wait of about 30 minutes or more (depending on when the next slot is available) before being called from the waiting room into the audition room.
What will I have to do for the audition?
Auditionees will be taken in small groups.  After music and dialog (~40 min), the group will immediately move to the choreography audition room (~40min). Breakdown:
    • The Music Director will ask auditionees to sing a scale to determine their range.
    • Each auditionee will sing part of a song from the show (see the audition materials).
      • A music recording is provided.
      • Other recordings and personal accompanists are not permitted.
      • Auditionees may be stopped before finishing if the staff has heard what they need.
    • Auditionees will participate in a monologue from the script.
      • Monologue cuttings will be available beforehand on the website (see the audition materials).
      • You may peruse the monologues in the registration room as needed.
      • Auditionees may be asked to read additional cuttings of the director’s choice.
    • Auditionees will then learn and perform a brief piece of choreography as a group.
    • The choreographer may ask you to stay, if they would like to see more.
Do I need my own music?
No, a recording or accompaniment will be provided for you. NO recorded music or outside accompanist is permitted.
Do you have to speak with an accent?
If the role you are auditioning for has an accent, it’s suggested, but not necessary.
Will there be tap shoes required for auditions?
No but if called back for tap please bring tap shoes to demonstrate mastery level.
Can a parent(s) watch their child’s audition?
No
Is there a cost if I am cast in the show?
There is no registration or production fee. You will have to register with a NPD course, and there is no fee.  You will be expected to provide the designated footwear, undergarments, and personal make-up that your character requires.  Cast members may be responsible for providing a basic costume or costume components for the production.  Options will be discussed if needed.
Will I have to provide my own costume?
Depending on your character, there may be basic components to your costume that you would need to provide. For example: black pants and character shoes.
Will there be callbacks?
Yes
If there are callbacks, when would I be notified?
We strive for no later than 11 pm on Sunday.  Some calls might happen Monday if we are unable to reach you on Sunday.
If I am not called back, does that mean I am not in the show?
No. Many roles are cast based on the first audition. Not all roles are called back.
When will I know if I am cast in the show.
If you are cast, you will be called by the end of the day Thursday; no later than 10 pm.
How can I find out the cast list?
The cast list will be posted on www.magicalstarlight.org website by noon on Friday after callbacks.
In general, when are rehearsals?
Sundays: 1 – 6 pm, Tuesdays 6:30 – 9 pm, Thursdays 6:30 – 9 pm Tech week is Sunday through opening.  Those times are will be provided on the first rehearsal date; these nights do go slightly later.
Will I have to attend all rehearsals?
Your attendance is required at all rehearsals that your character is called for and that you have NOT communicated an existing conflict.  Typically Sundays are used for large group numbers, where Tuesday and Thursday are smaller groups with specific characters.  When filling out conflicts, please relay all Sunday, Tuesday, Thursday conflicts during rehearsal time and all tech week and performance conflicts.